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・ William Elliot Griffis
・ William Elliot of Wells
・ William Elliot-Murray-Kynynmound, 3rd Earl of Minto
・ William Elliott
・ William Elliott (American politician)
・ William Elliott (American stage actor)
・ William Elliott (aviator)
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William Edward Frank Britten
・ William Edward Frost
・ William Edward Green
・ William Edward Gumbleton
・ William Edward Haesche
・ William Edward Hall
・ William Edward Hanford
・ William Edward Hanley Stanner
・ William Edward Harney
・ William Edward Hartpole Lecky
・ William Edward Heaton
・ William Edward Hickson
・ William Edward Hodgson Berwick
・ William Edward Jelf
・ William Edward Kettler


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William Edward Frank Britten : ウィキペディア英語版
William Edward Frank Britten

William Edward Frank Britten, or W. E. F. Britten (1848 or 18571916) was a British painter and illustrator. It is known that he worked in London, England starting in 1873 and that he stayed in the city until at least 1890. Britten's work ranged in style from to traditional Victorian to Pre-Raphaelite, and his artistic medium ranged from paintings to book illustrations. His paintings have mostly been praised by critics with his illustrations having been treated as either neutral or favourable by reviewers.
==Biography==
William Edward Frank Britten was born in 1848 in Lambeth, London〔England & Wales, FreeBDM Birth Index〕 to William Goodwyn Price Britten and Ellen Eliza Richardson. On 23 July 1866 he was admitted to the Royal Academy of Arts in Picadilly, London, as a probationer and on 3 January 1867 he was accepted as a student. He began to flourish as a painter after 1873, when he began to hold exhibitions for his works at the Royal Society of British Artists. He worked on designs for six of the eight spandrels under the Dome of St Paul’s Cathedral in London, including drawing the cartoons for three of the prophets, Jeremiah, Ezekiel and Daniel, after the death of the artist, Alfred Stevens, who had originally been commissioned to draw them but only completed Isaiah. Britten was also approached to provide designs for the remaining four spandrels - representing the four evangelists, the first of which, St Matthew, had been completed to Watts' design in 1866. Once again, Britten completed the scheme - this time passing off some of the work as his own, rather than Watts's.〔The Dome - Decorative scheme www.explore-stpauls.net〕 In April 1883, Sir Charles Dilke ordered from Mr. W. E. F. Britten, the painter, whom Leighton had commended to him, a portrait of his brother Ashton who had recently died. It "proved to be very good".〔The Life of the Rt. Hon. Sir Charles W. Dilke VI by Stephen Gwynn.〕 In 1891, Britten had Charles Voysey (architect) design a studio for him at 17 St Dunstans Road, London W6 8RD. This building is recognised as one of Voysey's first and best Arts and Crafts buildings and is still extant.〔Architects and Architecture of London by Kenneth Allinson.〕 Britten spent most of his time working in London and worked as an illustrator and a contributor to magazines. It is known that he was working in the Pimlico area in 1890.〔Houfe 1981 p. 244〕 There is a suggestion that he worked in Russia for a period on a commission for the Czar, but no firm evidence of this has been found. In c.1912 Britten was giving instruction at the Glasgow School of Art: "Professor W. E. F. Britten superintends figure and landscape composition".〔The Royal Scottish Academy School of Painting in Every Woman's Encyclopaedia". c1912〕 He was married twice; in 1873 to Rebecca Ling (1853-1901) and in 1901 to Rachel Alice Kime (1870-1950); he had four children, two from each marriage. Britten died in 1916 in Kingston, Surrey, England.〔England & Wales, Death index〕〔Weintraub 1989 p. 107〕

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